BD's running a series of reviews on the summer shows going on in the UK.
This is pure speculation, but I think their M.Archs take greater ownership over the exhibition because of competition. If you put yourself in their shoes, wouldn't you want to show what you've got if other M.Archs from rival schools were strutting their stuff?
My jaw dropped when I saw this pencil drawing. Now I understand what Florian meant when he referred to the spatial imagination of the Bartlett. It does look like a terribly exciting space.
Although, Barbara Ann Campbell-Lange did have this to say,
"The physical models – handmade, factory-made, rapid-formed – are exemplary (thanks in large part to a superbly equipped and run workshop) but by contrast the aesthetic tyranny of Photoshop-Studio Max-Rhino – coupled with obsessive framing – is anesthetising and one can’t help wondering if some of this print-out gloss substitutes for thinking."
One of the unique qualities of Dempsey is its state of transition. You've got high-end lifestyle destinations atop the hill and yet untouched history in the surrounding environs of Harding Road, Loewen Road and Ridley Park. No doubt a very idyllic setting for that occasional tea for two, it also makes good fodder for contemplative walks alone. I chanced upon this beauty while waiting for church to start last Sunday. Having explored the old barracks along Loewen Road, on impulse, I veered off the main road, trekked through a clearing and there she was.
My heart skipped a beat.
Tucked away amid dense tropical jungle, you do get the palpable sense of crossing over into another time stream; a real-life 'Bridge to Terabithia' encounter, right down to the threshold of having to cross a waterway, in this instance, a storm-drain.
The architecture stems from two periods, the consulate buildings at the front of the complex look old enough to be pre-war, whilst the newer extension at the back recall the sincere RC experiments of the 1970s. Its construction is simple and clearly expressed - utilising an age old strategy of extending the beams beyond the floor slabs thereby achieving a tectonic quality of one thing supporting another and a visual language of horizontal and vertical linearity. Closer inspection of the individual rooms reveals a sensitivity to climate and affordance. Each room is bestowed with an enchanting view of the surrounding green through sliding windows that reach from a cill height of about 600mm to the ceiling, thus creating the impression of a room enclosed by three walls and fully opened on one side - another strategy known as 'prospect', as termed by Glenn Murcutt. Even rainwater disposal gets accorded attention - a rectilinear protrusion breaks the horizontality of the roof slab and connects to a hollow square section pipe, similar in profile as the railings though of understandably larger dimensions, which then proceeds to decant rainwater into a receiving RC trough on the ground floor.
As much as the building has been lost to the onslaught of the jungle, so too has the architectural heritage that first gave it form. It is a masterful work that combines clear-headed planning, collected concrete construction, climate, comfort and controlled composition - qualities that defined the age of Peter Blundell Jones, Sonny Chan Sau Yan and Geoffrey Bawa, when schools still trained competent architects who could call the shots and inspire confidence in their clients.
To the unknown ancestor who crafted this gentle beast, I tip my hat to you.
Sheffield's a distant, happy memory and a grin finds its way across my face when I think about the skype conversation Nick and I had across the atlantic concerning the exhibition. I dove into the workshop on a beautiful Sunday afternoon in winter to avoid raising the ire of the other lone wolves inhabiting the tower; the west facing room awash with a golden glow - it truly was magical.
Fast forward half a year and the dust has somewhat settled on an exhibition that broke new ground in every possible way and which hopefully served to give a sense of closure for the graduating M.Archs.
Thank you Thomas, JY, Molly, Shux, Beatrice, Daniel and Owen for sacrificing personal time to help out in one way or another - whether it was transporting models from school to Iluma or arranging tables. We would not have been able to manage without you. Also, to Jon for snapping a couple of shots before we tore down the set and Co Seng for agreeing to man the exhibition during the week.
Most of all, thank you team for working so hard over the past month. I dare say we've raised the bar just that little bit higher within half the time frame and at a fraction of the manpower compared to last year's committee. Glad we were able to end off our executive term on such a high note.
I've been busy. Opening night was a killer and it was very heartening to see so many faces, familiar and unfamiliar. The battle ain't over yet so I'll reserve my comments till then. More shots over at Jon's flickr.
With grad-ex winding down, I know I ought to get cracking with dissertation, but inertia is holding me back from picking it up once again. 10,000 words in 3-4 weeks is no small matter. Fear isn't such a bad incentive though.
Thank you for reminding me to differentiate. Work will always be there. Though the lines between the two might sometimes blur, Life still needs to go on and should never be bridled by such.
David Chipperfield introduces his latest masterpiece, the Neues Museum, to HRH The Prince of Wales. BDOnline's running a mini competition to see who can come up with the wittiest caption for the above picture.
In other news, The Glasgow School of Art is holding a major competition for a new 50 million pound building and has attraced a stellar crowd of entrants. Though both Foster & Partners and Herzog & de Meuron have both opted against entering the ring, further scrunity of the list made me scream like a teenaged girl standing in front of Takeshi Kaneshiro.
Joining forces Architects who have teamed up to enter include: * Richard Murphywith Sutherland Hussey * RMJM with Rafael Moneo * MVRDV with Austin Smith Lord * John McAslan with Nord * Flacq with Ken Powell
On their own Other confirmed entrants include: * Rogers Stirk Harbour & Partners * Malcolm Fraser Architects * Feilden Clegg Bradley Studios * Zaha Hadid Architects * Allies & Morrison Architects * David Chipperfield Architects * Studio Fuksas * Gareth Hoskins Architects * Hopkins Architects * Alison Brooks Architects * Haworth Tompkins * Grimshaw Architects * David Adjaye * Graeme Massie * O'Donnell & Tuomey * Page & Park
From the organisers: Despite the stellar list of entrants, Reading insisted the school was keen to appoint an up-and-coming architect if possible. “There is a serious building to be delivered,” he said, “but the university was very keen that young architects should be encouraged. So we’ve encouraged people to form partnerships.“Rennie Mackintosh was 28 when he won the competition in the 1890s. We don’t know if history will repeat itself, but the school is looking for something fresh.”
A comment like that doesn't bode very well for the likes of Moneo and Chippo. RMJM's got an extremely strong portfolio of institutional buildings ranging from education to healthcare, but they aren't big on fancy schmancy design, and paired up with the restraint of Moneo means you'll likely get a handsome, dignified and competent building. Same goes for Chippo (another big Moneo fan), whose concern and judicious response to history and context isn't likely to win the heart of Christine Hawley, Dean of the Built Environment at the Bartlett. Then there's Richard Murphy and John McAslan, two more reactionaries who shine at bouncing off context.
But if it does come down to young blood, then I'm eager to see what Haworth Tompkins comes up with. And heaven forbid a Hadid win. Please. Not here, upon such a precious piece of history.
If you can get over your hang-ups about Taylor Swift and pop music then check out this video my brother found.
For the pianists among us, he weaves quite an exquisite musical tapestry. The build up to Viva la Vida (by Coldplay) is very satisfying. Wait for the transition between 2:47 – 3:45.
The Cellist is quite a character. He starts off well but degenerates into a really bad actor and becomes redundant once the melody moves on to Viva La Vida; excellent comic relief though.
And no, the pianist is not gay. He composed the arrangement for his daughter, Sarah.
I'm writing again. And that means that the battle's over and Time has been kind enough to grant me rest and a juncture for reflection. I broke a personal record this semester finishing when I did, although on the other hand, I'm still a bit confused over the outcome of my Crit. One comment Florian made however was highly encouraging and is still stuck in my head,
“You're in-between the spatial imagination of The Bartlett and the technical precision of ETH.”
I can't think of a more rewarding compliment.
The last time I actually looked forward to studio was in Year 2 Semester 1 when Tsuto was my tutor. I still chuckle when I recite the word 'Kom-pa-tee-sion'. I was helping one of his thesis students (whom I've a feeling has a penchant for all things red) on Thursday when he dropped by the studio, quipping about how he couldn't go home cuz of a computer glitch and that he was feeling lonely in his office; as honest and sharp as I remember him. If I'd chosen to stay on in design track, I think I'd have a hard time choosing between him and Erik for M.Arch.
And yea, you heard me right, I looked forward to studio.
It was with similar zeal that I plowed through this semester, four years in the making – of knocking on Kok Ming's door seeking construct(ive) advice. I'm truly thankful that he's around. Few can pride themselves on being the full package, balancing both concept and construction. He even writes to boot. It might seem far-fetched, overly presumptuous even, but maybe the day will come when I've built all I've wanted to build and I too hang up my ambitions, re-train my sights and begin building up the young lives of the next generation.
In other news, an old friend from Sheffield finally managed to upload the Sketchup lecture I gave during the student-initiated Lunchtime Specials; You know you've fully integrated when juniors mistake you for a full-time student and approach you for panel advice. If only Singaporeans were as friendly. Thanks to Jon and Hong Guan for letting me use a couple of their images. The video takes awhile to load and I only come on after 20:00 mins.
